Those are the ones who sell their scripts. You may have a great idea for a cartoon series, but unless it reaches the right hands, it will not get produced. BUT as you said it is changing and changing quickly. The number of studios in North America who do feature animation (as opposed to television/web) is pretty low and most of those prefer to do in-house or Intellectual Property development. There are only two things you must have to succeed: a good script and persistence. it's basically just presenting your idea to a potential buyer. The trick isn’t writing a script. I'm nearing the end of shooting a live-action microbudget short that has a 30-sec animated first scene. They have a huge number of people trying to give them ideas, they are really not short of them no matter how special you think your story is. Ms. Ashbourne, would you please forward to me contact information for that investment fund of which you spoke? I don't think Lauren was referring to KILLER EYES when she was asking about animation, it's something else she is currently working on. Persistence is paramount. The trick is selling it. Continue submitting your cartoon to different markets until someone agrees to purchase the idea. 'Technically' nearly every film (sans micro budget) has animation in it via VFX/CG. But, like that wily rat who finds his way through the maze to the cheese, it is possible to find your way through the movie maze and get the cheese. This is something I am curious about and would like to share my findings and resources. (I know Bonne from Curious George. These two threads on CG Society forum are good discussions: How to turn your IP into a living and Your Own IP? Animation Industry Database | Production Companies | VFX Houses | Schools, © 2017 AWN, Inc. - Part of the Animation World Network - 13300 Victory Blvd. And they are both incredibly difficult. The biggest issue is that an animated feature takes hundreds of dedicated crew an average of 4 years to make. You also need to be as creative as possible. Just to make it very clear as I have received many E-mails so far: I do not buy IPs and I do not sponsor or animations. Dont know how much, but you can contact the Companies and ask them? This is a story about a Genius dog, which has been sent on mars by humans for watching whether he can survive or not. There’s no excuses! Communicate to whom? Stand outside the nightly news and hold up a sign with your movie website address so that when they cut to the closing shot of people outside the studio window you were just seen by thousands upon thousands of television viewers. And to make my blog as good as it can be I welcome your input. Because Netflix, Best Buy, Amazon, Blockbuster (when there was a Blockbuster), etc. Honestly, unless you have a track record in animation or are going in with someone established, it's gonna be tough for you. again, if you are coming from outside the industry i'd strongly advise partnering with others. A while ago I looked into selling an animation script I'm working on and got the impression that if you don't work for DreamWorks, forget it. It is important to do your research beforehand and understand to whom you’ll be pitching your project and in what format. The movie business is just that - a business. A pitch in business is some sort of a proposal for a client to accept investing in. I assume that anyone going for a complete series production will have done all the research possible, met with potential buyers, reviewed competing shows and tested the concept of the show to test the waters before taking the risk. What I Learned about pitching: 1- It's a lot easier to strike a deal if you know someone from the inside. Now, he wanna return and he designs new machines in every … Fortunately though, technology might help us bypass the pitching process altogether and reach the audience directly, it is so much work to pitch that I'd rather promote my ideas on my own and find alternative revenues or ways to fund my productions rather than dedicate the effort and resources needed to pitch. It's a disconnect. Please do not send me E-mails asking me to fund your project. Can anyone please give me an idea of how much we can sell the animated series for? Holographic Characters Sighted Atop Cabs in LA and NYC, Margot Robbie Joining ‘Pirates of the Caribbean’ Reboot, Jared Leto’s Joker Will Return in Snyder’s ‘Justice League’ Cut, ‘Wonder Woman 1984’ Getting Simultaneous HBO Max and Theatrical Release, Sutikki and Digital Dream Labs Ink Development Deal, Flipbook Studio Brings Life Back to the Streets for JD Sport’s Xmas Campaign, Senior Principal Visual Designer for Customer Experience Journey Team (Round Rock TX or Remote-USA), ASSOCIATE - IMAGE PRODUCTION AND LICENSING, Instructor, Advertising and Graphic Design - Adjunct, Marketing Graphic/ Web Designer (Graphic Designer 2). It's only animated because I'm not going to build -- and wreck -- a 16th century sailing ship just to set up a treasure-hunt story. By Tunde Vollenbroek | 08/31/2018 5:08 pm | Be the First to Comment! There are significantly more North American studios/production companies producing animated series. Both of the above books go well beyond, pitching and marketing and are good reads, and you will invariably learn things like pitch bibles, log lines, etc.. Sell their videos on a subscription or one-time-purchase basis Create and launch OTT video streaming apps for mobile devices and TV From entertainers to educators, Uscreen has worked with thousands of content creators from vastly different industries in helping them sell … You most certainly don't want to be investing a huge sum of money and not being able to have a return on it. Paul, you are correct! An animated script is NEVER finished in that reality. Show your creativity in some way. Human interaction is always the best way to learn. Indie animation - a cautionary tale. What is known as an IP (Intellectual property) is a broad term related to all creations of the mind, when it comes to entertainment though, you can think of an IP as a story with characters, a video game, a comic book, a cartoon, etc.. basically anything that is original and you came up with it. Go to coffee shops where writers hang out. Thus, from the void between my ears springs this blog on writing for animation and live action. He is author of the acclaimed book, How to Write for Animation. BUT investors need figures. It's a shame what happened to the creatives behind 'OZ" they are fantastic people. Go to conventions like American Film Market. A general idea is good. The character of the person they are going to be working with actually matters. All I did was have a few good scripts, persist like hell, find a producer at an industry convention and communicate. The graphic design of your slides should be on point (or at least not horrible). And no two writer’s mazes are the same. And what alternatives you have. From my own research, I also found that pitching is really almost a job on it's own. I highly recommend visiting film markets like MIPCOM or film festivals and mingling with the crowd to learn more. Now just for the record, I haven't yet actually created any IP or sold any animated series, but I worked for places like Lucasfilm where I was dumbfounded about the profit figures for licensing in an annual meeting, I also worked with smaller cartoon producers, have read a few books on the subject, done some research and asked around. The bottom line is that you have to be somewhere that industry people or their associates are and communicate. The unusual and unheard of gets noticed. 1- It's a lot easier to strike a deal if you know someone from the inside. For more tips, read the rest of the series: Your membership will help us continue to deliver the stories that are important to you. But it’s simple. Suite 365 Van Nuys, CA 91401. how much do animated 3D kids tv series sell for? Investors ready. It used to be that you could literally walk up to these people. Or maybe they want the episodes to have a certain length or number. Selling scripts is hard, but it’s not impossible. That includes vanguard, patchwork, wonderworld, etc. And, man I hate to sound like a nit-picker, but Animation is essentially a genre for classification purposes. Use lists/bullet points only to sum up things where appropriate, such as a few episode loglines, a budget, or a character’s personality traits – in other words, things that naturally lend themselves to being lists. But you need more than a good script. Give the logline. We begin today with tips on setting up, which will be followed by other sections such as communicating clearly and building trust. There are several elegant ways to carry notes with you: There are some basic do’s and don’ts for your outfit: There are some essential elements for a pitch. Jeffrey Scott has written over 700 animated and live-action TV and film scripts for Sony, Warner Bros., Disney, Universal, Paramount, Columbia, PBS, Sesame Workshop, Marvel, Hanna-Barbera and others. Neal Litherland is an author, blogger and occasional ghostwriter.