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 Recordings from this event were released as The Famous 1938 Carnegie Hall Jazz Concert. Harry Howell Carney (April 1, 1910 – October 8, 1974) was an American jazz musician whose virtuosity on the baritone saxophone influenced generations of subsequent players. Carney co-composed "Rockin' in Rhythm" and was usually responsible for executing the bubbling clarinet solo on this tune, but he generally confined himself to the big baritone sax. Carney made a few recordings as a leader, and also recorded with Lionel Hampton. , Early influences on Carney's playing included Buster Bailey, Sidney Bechet, and Don Murray. Official Sites. . His last testament, as it were, is a feature performance of "Drop Me Off in Harlem" on Mercer Ellington's album Continuum, recorded during the interim between the deaths of Duke Ellington on May 24 and Harry Carney on October 8, 1974. Aries. Around 1944 he also took up the bass clarinet. In addition, Ellington would sometimes feature Carney’s robust renditions of the melodies of such hits as "Sophisticated Lady" and "In a Mellow Tone". Other Works He also helped to provide accompaniments for vocalists Billie Holiday, Al Hibbler, Nat King Cole, Ella Fitzgerald, Frank Sinatra, Rosemary Clooney, Pleasant Joseph, Buddy Clark, and Johnny Rae.
Harry Howell Carney (Boston, 1 april 1910 - New York, 8 oktober 1974) was een Amerikaanse saxofonist (baritonsaxofoon en altsaxofoon) en klarinettist (ook basklarinet) in de jazz, die vooral bekend werd door zijn werk in het orkest van Duke Ellington. |
 He "co-composed "Rockin' in Rhythm" and was usually responsible for executing the bubbling clarinet solo on this tune". Mainly known for his 45-year tenure in Duke Ellington’s Orchestra, Carney’s strong, steady saxophone often served as the anchor of Duke’s music. After developing some proficiency on the alto sax, he visited New York with Holmes and gigged at the Bamboo Inn shortly before it burned to the ground. He was also Hamiet Bluiett’s favorite baritone player because he "never saw anybody else stop time" in reference to a concert Bluiett attended where Carney held a note during which all else went silent.
Carney’s clarinet continued to be deployed in the well-known composition "Rockin’ in Rhythm", for which he is also credited as a co-composer.  In Boston, he grew up close to future bandmate Johnny Hodges. Interested? Theory
This was one of the ‘work-horses’ of the Ellington orchestra that remained in the band books throughout its life on the road. This is perhaps owing to the presence from late 1939 onwards of a regular tenor saxophonist (the most important of these being Ben Webster and later Paul Gonsalves), further increasing the pool of star soloists in the orchestra. Louis Jordan. He grew up next door to his future Ellington bandmate Johnny Hodges, four years his elder, who was an early influence on his music. Biographies
Tell us why you would like to improve the Harry Carney musician page. Publicity Listings He died on October 8, 1974 in New York City, New York, USA.  In 1973 Ellington built the Third Sacred Concert around Carney's baritone saxophone. Reset your passwordClick the eye to show your password. Short Biography. Saxophonist. About. |
Carney claimed to have originally mastered the baritone in order to help Duke broaden the palette of the ensemble, initially emulating Coleman Hawkins in the upper register and Adrian Rollini in the basement of the horn.  On occasions when Ellington was absent or wished to make a stage entrance after the band had begun playing the first piece of a performance, Carney would serve as the band's conductor. Ellington wrote many showpiece features for Carney throughout their time together, such as "Frustration" (c. 1944-45). One moment, you will be redirected shortly. He also performed on clarinet and bass clarinet, as well as alto saxophone in the early years of his career. , Ellington wrote many showpiece features for Carney throughout their time together. While not the first baritone saxophonist in jazz, Carney was certainly the first major performer on the instrument, and his sound influenced several generations of musicians.
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Biography. Carney was born on April 1, 1910, in Boston, Massachusetts. Examples of his arresting presence on this horn are myriad and include "Frustration," "Sono," "Perdido," and "La Plus Belle Africaine." Nevertheless, despite his virtuosity on the baritone, Carney would take up the clarinet on frequent occasions to show he was truly a master of the reed instruments. He was an early jazz proponent of circular breathing. Carney's relationship with Ellington transcended that of musician and leader; he was Ellington's confidante and for decades he drove the Duke from gig to gig. Began on piano at the age of six, before specialising on clarinet by the age of thirteen. It has to be said, however, that in later years Carney’s voice was heard a little less as a soloist than it was in the 1930s. Throughout his career he played saxophones manufactured by C.G. The job with Ellington lasted until Duke's death 47 years later.
Biography. Read Full Biography.  Having established himself in the Ellington band, he stayed with it for the rest of his life. He was an excellent, melodic soloist and anchored the sound of the sax section. Overview
Pianist. | A bonus track version of "Sophisticated Lady" on the CD reissue of the Verve album Soul Call is a thrilling testimonial to Carney's lyrical profundity as a balladeer and his resilience as a practitioner of circular breathing, two of the many ways in which he influenced Rahsaan Roland Kirk, who in 1972 on his album A Meeting of the Times presented a duple portrait of Harry Carney and Barney Bigard by simultaneously blowing a clarinet and a baritone sax. , After Ellington's 1974 death, Carney said: "Without Duke I have nothing to live for". At times I've been ashamed to take the money.’ After Ellington's death, at the end of May 1974, Carney said, ‘Without Duke I have nothing to live for.’ He died a little over four months later. | Without Duke I have nothing to live for." |
Carney played at the Savoy Ballroom with Fess Williams before joining Duke Ellington, who was about to play in the young musician's home town, when this engagement was over Carney left for a tour with Ellington, who had taken on the role of guardian. Harry Carney Popularity . Harry Howell Carney (April 1, 1910 – October 8, 1974) was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra. At the age of 13, he blew clarinet with a band sponsored by the Knights of Pythias. Swinging Suites by Edward E. and Edward G. Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York, Studio Sessions New York & Chicago, 1965, 1966 & 1971, The Carnegie Hall Concerts: December 1944, The Carnegie Hall Concerts: December 1947, It Don't Mean a Thing If It Ain't Got That Swing, It Don't Mean a Thing (If It Ain't Got That Swing), Just Squeeze Me (But Please Don't Tease Me), https://en.wikipedia.org/w/index.php?title=Harry_Carney&oldid=985782155, Articles with unsourced statements from November 2018, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 October 2020, at 22:38. Harry Carney Is A Member Of . He was married to Dorothy.  Within the overall sound of the Ellington band, Carney's baritone was often employed to play parts of harmonies that were above the obvious low pitching of the instrument; this altered the textures of the band's sound. A mainstay of the…. Carney joined Duke Ellington’s Orchestra when he was 17 in 1927 and remained for over 46 years, passing away in 1974 a few months after Ellington.