There's something of a tradeoff here, tonality vs. intonation. As the maker of Red Diamond Mandolins, this is a problem Don MacRostie is very familiar with. nearly perfect intonation because each string can be "dialed in" to the In 1958, the L5CES was redesigned with humbucking pickups; most, but certainly not all, subsequent archtop guitars conform loosely to the pattern set by this model. Compensated bridge w/base, for arch-top guitar, 6" long x 9/16" wide. The bridge quickly takes on the archtop curve. Save on Over 900 Items, Fitting an archtop bridge, easily and accurately, Learn About Guitar Bridge and Tailpiece Installation and Repair, Find the proper fret position with the official Stewart-MacDonald Fret Calculator, Stewart-MacDonald is PCI compliant and validated for secure e-commerce. By repeating this process with the various strings, you can reach Bridge radius inspected and conformed to fingerboard radius as required ; Bridgewheels and tuners lubricated ; Fingerboard and bridge conditioned ; Body and neck cleaned and hand polished. Often you compare that note to the note made by the same string actually fretted at the twelfth Read on... Before: that gap has got to go! A dab of #4 swirl remover on a soft rag to cleaned away the tarnish. That’ll let me set it back up quickly. Ebony stained Rosewood bridge & base for arch top, with Gold hardware, 5-3/8" x 9/16". As the plastic ages, it may warp and become a source of extraneous rattles: Full-sized archtops are among the largest guitars ever made, with the width of the lower bout in some cases approaching 19 inches (47 cm). The original acoustic archtop guitars were designed to enhance volume, so they were constructed for use with relatively heavy strings. Similar models remain popular in rockabilly. The vibration of the instrument when played, bumping in and out of The improved version of the classic Fender Strat Bridge, The most consistent, top quality Strat® replacement body on the market today. Follow that with some Preservation Polish, and it shines like a mirror: DON'T MISS A BEAT, sign up for StewMac news, Black Friday Sale! The contours of the arching profile are usually derived in an ad hoc fashion. Compensated bridge w/base, for arch-top guitar, 6" long x 9/16" wide. Guitar maker A. H. Merrill, for example, patented in 1896 a very modern looking instrument "of the guitar and mandolin type . Good advice. Fitting an archtop bridge: getting a perfect fit while the instrument is tuned to pitch, although sometimes it may be necessary to Fumes from its new finish and plastic parts tarnished the plating on the hardware (this happens a lot, especially to inexpensive gold plating.) The arching of the top and the f-holes are similar to the violin family, on which they were originally based. Drafting tape and sign-painter’s tapes have less aggressive adhesives. Fumes from its new finish and plastic parts tarnished the plating on the hardware (this happens a lot, especially to inexpensive gold plating.). Gibson sells inexpensive Asian-made archtops under its Epiphone brand, such as the Epiphone Dot.. . In 1951, Gibson released the L5CES, an L5 with a single cutaway body and two electric pickups, equally playable as either an acoustic guitar or an electric guitar. needs to be moved toward the tailpiece a bit: Framus also makes a range of archtop bass guitars. the ideal bridge position in relatively short order. Did you ever have to fit a bridge to an archtop guitar or mandolin? Archtop guitars often have Curly maple or Quilted maple backs. As the maker of Red Diamond Mandolins, this is a problem Don MacRostie is very familiar with. with jazz, but they are the predominant tool for jazz players.) High-end models traditionally have "block" or "trapezoid" position markers. Updated on Jun 22, 2017 at 4:34 PM. Well, it’s not anymore. A 1918 "The Gibson" acoustic guitar, with a 13th fret neck join, circular sound hole, and floating bridge. best action height. Greenten 6 String Archtop Jazz Guitar Bridge Rosewood Chrome Hardware Guitar Parts A continuum exists from these solid body, purely electric instruments to purely acoustic instruments similar to the original Orville Gibson design, including: All of these types may be loosely described as "archtop," but only the last possesses the characteristics most often associated with the type. And electric components have lots of their own requirements for setup. is an acoustic place, I'll ignore the electronic part, and concentrate on the acoustic I also put position marks on the guitar using low-tack drafting tape, about 1/8" away from the ends of the bridge. Drafting tape and sign-painter’s tapes have less aggressive adhesives. When I take the strings off and sand the bridge, these pieces of tape will help me keep it in the right spot. Interest in archtops was revived in the 1990s. which, if employed, would rob the instrument of much of its volume of tone. The picture above shows that wood is coming off the ends first, since the bridge was so high at the center. The top of this bridge is so massive that it affects the acoustic tone. Unlike the usual acoustic guitars utilized in jazz, it was loud enough to take a more prominent position in ensembles. Archtop 4-string bass guitars have been manufactured since the use of electric pickups became popular. When I take the strings off and sand the bridge, these pieces of tape will help me keep it in the right spot. Obviously, if the fretted note is flat, the bridge needs to go the other direction, . Thinlines can be classed as semiacoustic guitars, although not all semiacoustic guitars have an arched top. Lots of jazz guitars are electric instruments: Rosewood compensated bridge with base for flat top guitar, 6" long x 9/16" wide. The Mohan veena is a cross between an archtop and an Indian veena. Thinlines became popular with mainstream pop and rock artists during the 1960s. Description This archtop guitar bridge can give your archtop guitar a new voice with this innovative machined rosewood bridge. In 1922, Lloyd Loar was hired by the Gibson Company to redesign their instrument line in an effort to counter flagging sales, and in that same year the Gibson L5 was released to his design. A relatively small number of ukulele makers offer instruments with flat tops but arched backs, generally of heat-pressed laminate construction with high-quality veneer; that design concentrates the uke body's internal resonance upward toward the sound hole, "like a parabolic mirror," according to the German seller RISA, whose Koki'o brand line of ukuleles all feature arched backs. The Samick corporation sells archtops under its own name besides manufacturing for other companies. Some electric archtops also have piezoelectric pickups, making them hybrid guitars. Some of these instruments have a distinctive "twangy" sound and were taken up by country music and early rock and roll artists such as Duane Eddy and Eddie Cochran. This one’s a bad fit: even under string tension, a feeler gauge slides around under this bridge easily. The ES-150's top was not carved on the underside, making it unsuitable for acoustic use. (If you leave masking tape on a new lacquer finish overnight, you may be sorry in the morning.) Ibanez sells an extensive range of archtops under the Artcore marque. His 1898 patent for a mandolin, which was also applicable to guitars according to the specifications, was intended to enhance "power and quality of tone." A few words about Build the pedal that redefined overdrive. It provides players with a way of achieving vibrato (minor pitch waves) without bending the strings through your fingers. My white pencil marks are all gone, and the bridge has taken on the exact arch of the top. Gibson's last innovation in archtop design was the creation, in 1955, of "thinline" models with a reduced body depth. X-braced designs were introduced later, giving a tone closer to that of a flat-top guitar. Masking tape makes me nervous! lots of pick scratches. Other manufacturers introduced electric archtop guitars, notable examples including the Gretsch White Falcon and various Chet Atkins models. After: a perfect fit — no gaps! Archtop guitars were subsequently made by many top American luthiers, notably John D'Angelico of New York and Jimmy D'Aquisto, William Wilkanowski, Charles Stromberg and Son in Boston, and by other major manufacturers, notably Gretsch and Epiphone.  Most major guitar marques include at least a couple of archtops in their range, albeit not necessarily manufactured at their own facilities. A typical acoustic archtop bridge looks like this, with individual string scale length Speaking of fingerrests, take a look at this little sticker on a new Gibson guitar: This guitar spent a year closed in a case. This one’s a bad fit: even under string tension, a feeler gauge slides around under this bridge easily. with egg-shaped hoop or sides and a graduated convex back and top." This lets me check my progress by turning the bridge over to see where the pencil mark is still unsanded. . Later thinlines such as the ES-335, ES-345 and ES-355 were semi-hollow. The bridge quickly takes on the archtop curve. " But Gibson was not the first to apply violin design principles to the guitar.