Beta 52 is not as good as this mic for certain things. It's funny, seems like people either love this thing or hate it (and love the beta52). I've also used this mic on bass amp a number of times, my bassist uses an Ampeg SVT Classic with 8x10, and seems like I get a good sound pretty consistently by centering the mic on the cab about 18" out from the grille. It is a cardioid polar pattern, which can't be changed with a switch. ), but only by a few degrees. Mixes right in with the overheads without much need for EQ when placed well. This mic has a distinct sound, and like all dynamics, is very dependant on mic placement. Which can handle extremely high sound levels. I bought this one for miking a Ampeg 8x10 bass cabinet during the live shows. It doesn't seem to let the low end through (or boost it) like some of the other options. What is absolutely remarkable about the AKG D 112 is its massive sound pressure level handling abilities, as it is actually able to toleration high sound pressure levels of up to 160 dB! Mixed with the 58 and shoved through some Liquid Mix Distressor emulations I have been able to achieve a very professional sounding kick within my mixes. You may use these HTML tags and attributes:
, Headworn mics provide unrestricted freedom of motion while cancelling, Lewitt DTP Beat Kit Pro 7 Review, Shipped From Heaven, Shure PG Alta Drum Kit 7 Review (PGADRUMKIT7), CAD Audio Touring 7 Microphone Kit Review, Comica VM20 – budget DSLR & phone, mini-shotgun review, Røde VideoMic Pro+ Review, Premium DSLR Shotgun, Marantz Professional MPM-2000U USB Condenser Review, AKG Perception 220 – studio worthy budget LDC, 7 Best Headworn Mics for Wireless Systems Review. The thing is quite heavy as it’s made of nothing but metal, although it may not be obvious from the pictures. I'm of the latter group. The mic is connected using a standard XLR output, and as it uses a dynamic capsule, it does not require phantom power to operate. The only one better mic I found for bass was EV RE-20, but costs almost 3 times more than D112 and it's huge. This mic is more or less accurate throughout its entire range of up to 17 kHz, and it doesn’t produce those enormous decibel bumps at different frequencies that are quite typical. The last time I used this there was no EQing on console and the kick was full, punchy, no "click". So use it for soooooft kick, non-gritty-harsh bass etc. When you buy products through links across our site, we may earn an affiliate commission. The best redeeming quality of the AKG D112 is its durability. For recording I placed it about half an inch from the skin of the kick off centre and covered it in some pillows to stop spill (the advantage of recording in a living room!). I think the utility of this mic on kick or bass sources depends solely on the particular drum, bass amp, choice of pre-amp, room, etc. There aren’t any strict rules however, so you should base your choice depending on your personal preference. I used to use this exclusively on kick drum, with good results, i play alternative rock music.. Unlike the Shure’s flagship, it uses a humbucking coil that further helps to reduce the hiss and noises resulting from circumference. Absolutely love this mic, it is the best single kick mic in my opinion, I can always get a great sound with this mic and its been used on countless hit albums, you can get a great sound with just the d112 or combine it with other techniques and/or multiple mics for a huge sound, this is one of the few mics that is great for both live and recording situations, I've used it on both but it is my favorite kick mic for recording by far, I get a full sound that needs little tweaking in the mix, love it! This was much closer to the sound I've been looking for. And why shouldn't it? It's a pretty robust mic and can take high spl's. The design and low frequency response make it easy to place around or inside or a kick drum or right up easy the grill of a bass amp. Using the D112 on a small practice amp can add some beef for chunky distorted guitar parts. Normally I use it inside the kick, and sometimes out of it. It is side address, which I feel is kind of a pain considering that you will often want to stick this inside of a kick drum and have the capsule facing the front head. It is always fun to find new uses for a mic that I rarely ever reach for. But in the studio it works fantastic on big floor toms and has excellent off axis rejection.