Since the first, third, and fifth degrees of this scale form an aug- mented triad, this scale can be be played over augmented chords. That is, they don’t sound like they have a definitive root note – like the Major Scale. Also, note that this scale has 6 notes, so the name “hexa” also makes sense! Here's a beautiful prelude of him where he create a lot Return to top. Whereas, C Major sounds very different to D Dorian which sounds very different to E Phrygian which sounds…etc. | Altered Dominant Scale | Altered Dorian Home » Piano Theory » The Whole Tone Scale . Therefore this scale sounds kind of spacey and is often interpreted in music as a dreamy or mysterious scale. The intervals between the notes of a Major Scale are = T T st T T T st, The intervals between the notes of a Wholetone Scale are = T T T T T T. G Wholetone sounds like A Wholetone sounds like B Wholetone sounds like…etc. This whole-tone scale has appeared occasionally and sporadically in jazz at least since Bix Beiderbecke's impressionistic piano piece In a Mist. Whole Note Scale | Whole-Tone Scale, The Whole-Half scale alterns whole and half-tones. As we’ve seen, the half steps are the semitones and the whole steps are the whole tones. The Ultimate Piano by Chords Learning Kit Have a listen. Now I am learning the basics of piano by myself, with your really great help. | Symmetric Scales | Symmetrical Augmented Left hand fingering for the first example over two octaves is, C  D  E  F#  G#  A#  C  D  E  F#  G#  A#  C While all my lessons are free, if you find them useful please consider donating to help keep them coming. Write a comment. 3   2  1   4    3     2    1  2  1   4    3     A particularly easy scale is the whole tone scale, so called because all the steps in the scale are whole steps. Because the Wholetone scale is constructed entirely from whole tones, each ‘mode’ of the scale sounds exactly the same as all the others. You're absolute not in a hurry, and take time to explain. This Wholetone scale is quite simple and has no avoid notes. The scale was used often then since it has a vague functionality. | Altered Mode | Altered Pentatonics Download our free PDF versions of each scale with fingering. Locrian | Unitonic Scale   W   Whole step - Half step Scale | Whole-Half Diminished Scale | Whole-Half Scale | Whole-Tone Scale | Dominant Diminished Scale | Dominant Whole-Tone Scale | Dorian | Dorian b2 | Dorian b5 | Dorian b9 | Dorian b2 b5 | Dorian b5 b9 | Dorian #4 | Dorian #11 | Dorian Pentatonic Scale | Double Harmonic Minor Scale | Double Harmonic Scale   F   Flamenco Scale | Freygish Scale   G   Guitar Scales | Gypsy Minor Scale   H   Half Diminished Scale | Half step - Whole step Scale | Half-Whole Diminished Scale | Half-Whole Scale where the fifth lease to the tonic (harmonically speaking). 1   2  3  1   2    3    1   2   3  1   2    3   4, Left hand fingering for the second example over two octaves is, F  G  A  B  C#  D#  F  G  A  B  C#  D#  F, 4   3  2  1   3    2    1   3   2  1   3    2   1, Mentions légales | Charte de confidentialité. Scales   U   Ukrainian (Variation 3) | Blues Scale (Variation 4) | Blues Scales | Byzantine Scale   C   Chromatic Scale   D   Debussy Scale | Descending Melodic Minor Scale | Diminished Dominant But the scale can be used over any V7 Chord. A major scale is formed with the formula W-W-H-W-W-W-H. This means that all the chords are interchangeable. There are thus only 12/6 or 2 different whole tone scales. That means that, in fact, there are only two Whole-Tone scales, one starting from A, B, C#, D#, F or G and one starting from Bb, C, D, E, Gb or Ab. We will learn much more about functionality in future lessons. Scale   M   Major b2 Copyright © 2015 all-piano-scales. The Scale and/or Chord can be inserted over or in place of a V7 chord. Claude Debussy used the scale quite a lot. Pentatonic Scale | Major b6 Pentatonic Scale | Major Pentatonic Scale | Major Scale | Major Scale Modes | Man Gong | Melodic Minor (Descending) Scale | Melodic Minor b6 | Therefore the distance between each note and its neighbor in the scale would be a whole step. It also sounds a little exotic (because it is a non-functional symmetrical scale) but can be a little boring if overused (again, because it is a symmetrical scale). Since there are only whole tones in the scale, Like the melodic minor scale, the Wholetone Scale does NOT have avoid notes. The Wholetone Scale, as the name implies, is made up exclusively from whole tones. Piano Theory » ", Our Privacy Policy ", "Thanks for all your work ( tuto and others ). The scale is very different from the major and minor scales since it lacks the contrast created by the semi-tones in these scales. | Harmonic Major Scale | Harmonic Major Scale | Mixo-Blues Scale | Mixolydian | Mixolydian b2 | Mixolydian b6 | Mixolydian b9 | Mixolydian b13 | Mixolydian b2 b6 | Mixolydian b9 b13 | Mixolydian #4 | Mixolydian #11 | Mohammedan Scale | Music Modes | Music Scales | Musical Modes   N   Natural Minor Scale | Neapolitan Major Scale | Neapolitan Minor of beauty only from the whole tone scale. In the late 19th a decline in the functionality of harmony started. You're brilliant!!!! | Aeolian Pentatonic Scale | Altered bb7 Mode 1   2  1   2    3    4    1   2  1   2    3     The Whole Tone Scale. A C whole tone scale consists of "C, D, E, F#, G#, Bb". The interesting thing about symmetrical scales is that they are ‘non-functional’. Put another way, it is a scale that is built out of repeating intervals. The chord implied by this scale is written either as C7aug, Caug, C7+, C+, or C7#5, The Whole-Tone scale skips from tone to tone. This is what gives the scale it’s symmetry. A C whole tone scale consists of "C, D, E, F#, G#, Bb". The hexatonic scale, or whole-tone scale, is a scale formed by the sequence: tone – tone – tone – tone – tone – tone – tone. I'm sure I'll follow all your lessons to get the hang of playing the piano/keyboard! The whole-tone scale has no leading tone and because all tones are the same distance apart, "no single tone stands out, [and] the scale creates a blurred, indistinct effect". I really loved it. Modes | Harmonic Minor Scale | Harmonic Minor Scale   T   Types of ", "I'm a beginning keyboard player and your video's are an excellent guide. II   B   Basic Scales Check It Out Now! Home » 2    1, Right hand fingering for the second example over two octaves is, F  G  A  B  C#  D#  F  G  A  B  C#  D#  F "Your entire site is simply fantastic. Scale   I   Inverted There are 2 semitones and 5 whole steps. Because of this there are only 2 distinct wholetone scales (i.e. Home > Symmetric Scales > Whole-Tone Scale, A   Acoustic Scale | Aeolian | Aeolian b5 | Aeolian #3 | Aeolian Major 3rd | Aeolian Major 7th | Aeolian Natural 7 Dorian Scale | Ukrainian Minor Scale | Ultra There are some magnificent piano pieces written with this scale. F Whole-Tone Scale . in a dominant chord (that is, Bb in a C7). The scale is very different from the major and minor scales since it lacks the contrast created by the semi-tones in these scales. all six of its modes (including itself) form whole tone scales. This scale divides the octave into six whole tones. If we're going to build chords upon the six scale degrees of the scale we'll realize they're all augmented. 4    5 Notice that all thirds are a major and that there is no stable fifth in the scale (a perfect fifth). Scale | Diminished Scale | Diminished upon repetitions and melodic emphasis. Augmented Scale | Inverted Diminished Scale | Ionian | Ionian b2 | Ionian b3 | Ionian b6 | Ionian b9 | Ionian b13 | Ionian b2 b6 | Ionian b6 b9 | Ionian b9 b13 | Ionian #5 | Ionian Augmented   J   Jazz Minor Scale | Jazz Minor #4 Scale | Jazz Minor #11 Scale | Jazz Minor Inverse   K   Kumoi Scale   L   Locrian | Locrian b4 | Locrian b11 | Locrian bb7 | Locrian #2 | Locrian #6 | Locrian Diminished 7 | Locrian Natural 2 | Locrian Natural 6 | Locrian Natural 9 | Locrian Natural 13 | Locrian Pentatonic Scale | Lydian | Lydian b2 | Lydian b3 | Lydian b7 | Lydian b9 | Lydian #2 | Lydian #5 | Lydian #9 | Lydian #2 #5 | Lydian #5 #9 | Lydian Augmented | Lydian Augmented #2 | Lydian Augmented #9 | Lydian Diminished | Lydian Dominant | Blues Scale | Blues Scale (Variation 1) Return from the Whole Tone Scale to Piano Theory. That is, they don’t sound like they have a definitive root note – like the Major Scale. Thank you very much! A symmetrical scale is one that equally divides the octave into fixed intervals. ", "I only started to play about six weeks ago but the last hour of watching your videos about chord progressions has been something of a revelation. After all, all notes are 1 tone’s distance from each other. Melodic Minor b13 | Melodic Minor Scale | Bop pianist Thelonious Monk often interpolated whole-tone scale flourishes into his improvisations and compositions. The other one is "Db, Eb, F, G, A, B". Right hand fingering for the first example over two octaves is, C  D  E  F#  G#  A#  C  D  E  F#  G#  A#  C Piano Scales | Pomeroy Scale | Pure Minor Scale   R   Ravel Scale | Relative Minor Scale | Ritusen Scale | Romanian Minor Scale   S   Scales (other) | Scales and Modes | Scottish Pentatonic | Six Tone Symmetrical | Spanish Gypsy Scale | Spanish Phrygian Scale | Super Locrian | Super Locrian bb7 | Super Locrian Natural 5